Ciao
Dir. Yen Tan
Rating: 4.0
Regent Releasing
87 Minutes
Once in a while in this busy, intense world of ours, we come across something that catches our attention, something that makes us slow down and appreciate it purely because of its aspect of quiet understatement. Ciao is a film that embodies just this quality.
The film’s premise is based upon two strangers from different parts of the world who come together after the loss of Mark, a mutual friend. Jeff (Adam Neal Smith) has assumed the responsibility of managing Mark’s belongings and tying up his unfinished correspondences when he comes across an email conversation between Mark and an online Italian romance, Andrea (Alessandro Calza, who also co-wrote the script). After Jeff communicates the unfortunate news, Andrea decides to come to America to learn more about the man who he had never met. It is in the coming together of these two men that each learns more about the person they had both loved and marks the beginning of a new and deep relationship.
Director Yen Tan demonstrates his mastery in the realm of innuendo by creating a mood of sacred and somber reverence in this softly paced film. It is a requiem enacted by the main characters honoring the passing of a beloved friend. Much of the photography utilizes tight close-ups that focus on intimate expression of mood and emotion, all of which are exquisitely understated. The scenes unfold in played-down, ordinary sets that are neutrally lit; similarly, the musical score is subtle and unobtrusive.
The poignancy of this film can be compared to an iceberg composed of delicately and intimately held emotions and feelings of which only a tiny percentage are obviously visible and outwardly expressed. The conversation between the characters is thoughtfully reserved, but revealing of mutual respect and genuine interest for what each has to share with the other regarding his personal history and feelings in his relationship with the departed Mark. Likewise, the frequent periods of silence speak volumes to the audience regarding the characters’ unexpressed, yet palpable emotions.
I have to admit that it is absolutely refreshing to experience a gay-themed drama without the attitude or the drama, one in which the characters display not only maturity but also sensitive personalities brimming with self respect and genuine integrity.
by Allyn Sterling
