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Revisit: The Killers: Hot Fuss

Revisit: The Killers: Hot Fuss

Hot Fuss is one of the best debut albums of the 21st century.

It’s becoming exceedingly rare for a band’s debut album to be a fully successful venture. Some of the greatest bands of all time have had first releases that serve only as a dark spot in an otherwise shining discography, something to gloss over when discussing a band’s history. The Killers are of a different breed. Their debut album, Hot Fuss, isn’t some half-baked demo featuring two singles and half an hour of filler tracks. Hot Fuss is a polished album full of tightly produced songs that defined The Killers’ sound for the last decade. It wasn’t just a musical debut, but an introduction to the band’s identity. Twelve years later, Hot Fuss remains a defining album for the band as well as the American indie rock scene.

The band’s current lineup formed in Las Vegas in 2002, a year after frontman Brandon Flowers and lead guitarist David Keuning first began playing as The Killers. Each member came from a slightly different background, with Flowers leaving a synth pop group and the other members departing a variety of rock bands. The diversity in their musical styles is apparent on Hot Fuss. Songs like “Smile Like You Mean It” and “On Top” feature heavy synth that mirrors Flowers’ voice and swallowed syllables. The real artistry comes in the balance between Flowers’ synth pop roots and the rock melodies that drive much of the album. Hot Fuss weaves both of these distinct sounds together in a way that seems obvious only in hindsight and has come to define the band’s signature sound.

When The Killers first debuted in 2004, what made the band stand apart from the fray of generic indie rock wasn’t just their ability to blend genres while maintaining a singular sound, but their eccentric style and showmanship as well. Well before Panic! At the Disco sported guyliner and top hats, The Killers were pulling out all of the Victorian emo stops for “Mr. Brightside,” the song that first introduced the world to the band’s unique presence. In the music video and live performances, Flowers avoids eye contact, shifting and tapping his feet in a way that looks frenzied. His manic energy builds until he breaks, moving freely and staring deeply into the camera. He doesn’t just sing the song, he performs it confidently, subtly in a way that doesn’t give away the infancy of the band. Just like the sound of their debut album, this manic, barely contained energy is an early established staple of the band that has lasted through the years. What makes The Killers the band they are isn’t just their music, but their entire persona.

The band has always been aware their presence directly affects the impact of their music. Many of the tracks on Hot Fuss were recorded as demos before the band was signed. Once they scored a record deal, rather than rerecording the album and losing the organic energy that came from performing the songs the way that felt instinctual and immediate, they decided to use the demo recordings. It’s easy to believe this when listening to songs like “Jenny Was a Friend of Mine” and “Somebody Told Me,” two tracks that have a palpable energy coursing through them that can’t be falsified. This is just another example of the band’s own self-awareness from the beginning.

Hot Fuss was critically acclaimed at the time of release and also managed to do well commercially, another surprisingly difficult balance to strike. The album went to number one in four countries, stalling out at number seven in the United States. The Killers were nominated for five Grammy Awards and topped many end of year lists for 2004. Looking back 12 years later, the album is even more well received. Rolling Stone has Hot Fuss sitting at number 43 on its list of the 100 best albums of its decade and its one of the most recent albums to be featured in the book “1001 Albums You Must Hear Before You Die,” edited by Robert Dimery.

The Killers have established themselves as one of the best-selling and well received bands of the last decade. Hot Fuss introduced them in a way that few bands can manage and the album continues to stand out as one of their best. Many of the singles off the album were defining tracks of the early 2000s and some, like “Mr. Brightside,” continue to be important cultural moments. There’s no doubt that Hot Fuss is one of the best debut albums of the 21st century and will continue to be discussed and praised for another 12 years at the least.

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