The baroque visual flourishes fail to account for the lack of emotional depth.
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Sleight has a secret identity: A bad movie.
The Student turns a familiar coming-of-age scenario into a morally wrought conflict.
Each of Gray's films at least partially centers on Conradian questions of self-discovery.
No amount of cultural expertise can substitute novel thought.
It's not much more than a fancy exploitation film.
Could this French-Belgian cannibal thriller truly be as gruesome, gory and disturbing as people say…
The Devil's Candy is less Pantera and more Parenthood.
Avedisian harnesses comedic awkwardness to reveal deeper feelings of desperation, regret and fear.
As transgender people fight for visibility nationwide, in Kiki, their identities are theirs and theirs…