Master of Puppets still looms tall.
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The various moods are uniformly calm and wistful.
Olsen’s discarded songs are better than others’ best efforts.
Blue Thumb seemed determined to cover every market just this side of the mainstream.
Automatic for the People is a triumph of Americana.
Tokyo Flashback is not for the faint of heart.
The greatest domestic purveyors of funeral doom since Evoken.
Plunge feels more immediate and open than Fever Ray’s debut.
This doesn’t really sound like sex music.
Baker is more than a melancholy stereotype.