The first half is infuriating, the second just boring.
A major-label debut, or at least a debut on a vaunted indie, should tell us who the artist is and what they have to offer. Showtime, Baba Stiltzâs debut EP for XL, doesnât even tell us if heâs kidding. Thereâs this post-modern, post-ironic plague of artists who sidetrack sincerity with smirking self-awareness, and it just seems pointless. If youâre for real, why mask it with winking irony? And if itâs all a gag, doesnât that mean that any sincerity in the work is just a red herring?
Stiltz is a 24-year-old Swedish singer-producer who made a couple of wispy freak-folk albums as the Babylon Beard Syndicate as a teen before switching to soul-sampling hip hop and deep house. Heâs made beats for Yung Lean, and like that artist, he seems drunk off the novelty of a waifish, white indie kid imitating the affectations of mainstream pop and rap. The title track is a Drake pisstake, with Stiltz grousing about fake friends while showing off âbags full of money/youâve never seen this much money before.â Does he really have all that money? Iâd guess not.
âNow weâre having fun,â he sings on âSituation,â singing the last word like a voice actor trying out for the role of a henchman. He could have gotten away with singing the line sincerely. We know he can sing. Thereâs a moment earlier on the song where he triumphantly declares his love for the girl heâs singing to in a voice that sounds just a little bit like the raspy West Coast singer-rapper Anderson .Paak. So when we hear him sing âfuhhhn,â we can assume heâs taking the piss out of pop stars who sing guilelessly about having fun. But we canât be sure, and it doesnât make the music beguiling but frustrating. Are we not supposed to be having fun?
The first two tracks on the EP are dusty crate-digger hip-hop. He knows his way around a soul sample, but not more than a lot of beatmakers still toiling in the pits of SoundCloud; we end up retaining his slurring and durr-ing more than the music. The latter two tracks are house, and on both, Stiltzâs voice is slathered in Auto-Tune. Auto-Tune is a boon for his music if only because he canât bend notes off-key to let listeners know heâs being smart. These tracks sound better while theyâre on, but theyâre less memorable. The first half is infuriating, the second just boring.
What was Stiltz thinking? The EP is ostensibly so-named because itâs the young producerâs biggest stepping stone yet. But bring him before XLâs Richard Russellâa man who could buy his kids fresh new ponies for every new Adele or Tyler, the Creator albumâand he puts on this clown show? The word âshowtimeâ will always make me think of Mr. Incredible popping on his mask before dashing off around town for some do-gooder work. But Showtime is more like some egotistical class clownâs YouTube channel. Maybe it should have been titled What’s Up, Guys!