How to Be a Woman: by Caitlin Moran
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How to Be a Woman: by Caitlin Moran

If you wanted to be particularly cynical, you could say that Caitlin Moran’s How to…

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Criminally Underrated: Man on Fire
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Criminally Underrated: Man on Fire

In this feature our writers defend films they feel have not received their due. When…

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Death Grips: NO LOVE DEEP WEB
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Death Grips: NO LOVE DEEP WEB

Just in case Death Grips didn’t already have a lock on the label of “Critically…

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Tame Impala: Lonerism
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Tame Impala: Lonerism

Just as with their 2010 record Innerspeaker, there are immediately recognizable genre markers and influences…

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The Music Tapes: Mary’s Voice
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The Music Tapes: Mary’s Voice

The sound produced by the Music Tapes seems to occupy a particular time and place:…

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Grizzly Bear: Shields
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Grizzly Bear: Shields

Though only six years removed from their breakthrough record, Yellow House, Grizzly Bear seem to…

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Dignan Porch: Nothing Bad Will Ever Happen
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Dignan Porch: Nothing Bad Will Ever Happen

Nothing Bad Will Ever Happen, the second LP from the UK’s Dignan Porch, might just…

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Dan Deacon: America
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Dan Deacon: America

It’s fitting that Dan Deacon’s most thoughtful, sprawling and focused record to date is called…

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Ariel Pink’s Haunted Graffiti: Mature Themes
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Ariel Pink’s Haunted Graffiti: Mature Themes

For much of his career, Ariel Pink’s music has been walking a fine line between…

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Nü Sensae: Sundowning
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Nü Sensae: Sundowning

For the kids out there who think 2012 has been a “loud” year because of…

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