It’s refreshing, for once, to see sex treated with maturity and honesty
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Ocean’s Thirteen won’t go down as Soderbergh’s crowning achievement, but it’s a gift for those…
Nobody can make you feel so alive when the end credits roll as Mike Leigh.
Morris from America is a sweet-natured, highly likable film, but director Hartigan could have made…
Schizopolis feels so personal because it features Soderbergh’s only substantial acting role.
A movie as generic as its title.
Soderbergh uses the fundamentals of visual composition to imply off-screen space and create what feel…
It’s a miracle that Todd Solondz can still get movies made.
David Mamet’s best film by a significant margin.
All the pushed-down and sublimated feelings of In the Mood for Love explode here.