Come for the Helter Skelter rebuttal, stay for the broader commentary on access to what…
Reviews
Face It: by Debbie Harry
Longtime fans of Harry and Blondie will find much to enjoy in her more often…
No Visible Bruises: by Rachel Louise Snyder
With its harrowing stories and lack of easy answers, No Visible Bruises is a demanding…
Cimabue and the Franciscans: by Holly Flora
Reminds current audiences of the fascination generated by such careful design and such a command…
The Big Book of Reel Murders: Edited by Otto Penzler
Its title is no joke: at almost 1200 double-columned pages in length, this collection of…
The Factory: by Hiroko Oyamada
The Factory is an indictment of capitalism: the way it uses us, the ways it…
Black is the Body: by Emily Bernard
The essays provide a carefully rendered profile of a particular life, the many facets of…
The Worst Kind of Want: by Liska Jacobs
Worst Kind lavishes in the darkness of Cilla’s memories, experiences and repressed emotions.
The House of Broken Angels: by Luis Alberto Urrea
As white dominant culture begins to fade and other voices from the American experience take…
The Queens of Animation: by Nathalia Holt
While there were certainly a handful of women working on assorted projects, their contributions were…