Chaos: by Tom O’Neill with Dan Piepenbring
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Chaos: by Tom O’Neill with Dan Piepenbring

Come for the Helter Skelter rebuttal, stay for the broader commentary on access to what…

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Face It: by Debbie Harry
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Face It: by Debbie Harry

Longtime fans of Harry and Blondie will find much to enjoy in her more often…

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No Visible Bruises: by Rachel Louise Snyder
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No Visible Bruises: by Rachel Louise Snyder

With its harrowing stories and lack of easy answers, No Visible Bruises is a demanding…

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Cimabue and the Franciscans: by Holly Flora
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Cimabue and the Franciscans: by Holly Flora

Reminds current audiences of the fascination generated by such careful design and such a command…

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The Big Book of Reel Murders: Edited by Otto Penzler
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The Big Book of Reel Murders: Edited by Otto Penzler

Its title is no joke: at almost 1200 double-columned pages in length, this collection of…

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The Factory: by Hiroko Oyamada
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The Factory: by Hiroko Oyamada

The Factory is an indictment of capitalism: the way it uses us, the ways it…

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Black is the Body: by Emily Bernard
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Black is the Body: by Emily Bernard

The essays provide a carefully rendered profile of a particular life, the many facets of…

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The Worst Kind of Want: by Liska Jacobs
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The Worst Kind of Want: by Liska Jacobs

Worst Kind lavishes in the darkness of Cilla’s memories, experiences and repressed emotions.

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The House of Broken Angels: by Luis Alberto Urrea
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The House of Broken Angels: by Luis Alberto Urrea

As white dominant culture begins to fade and other voices from the American experience take…

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The Queens of Animation: by Nathalia Holt
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The Queens of Animation: by Nathalia Holt

While there were certainly a handful of women working on assorted projects, their contributions were…

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