Unfortunately, they're probably just going to make more of these movies.

Leans so hard into an emotional angle that simply never resonates that after the fire passes through, there’s little left to salvage.

At the start of his greatest decade as a director, La Dolce Vita finds Fellini committing to a cinema less focused on the dispensation of rhetoric than one of overwhelming visual stimulus.

A should-be shocker that’s light on scares and even lighter on original ideas. Promising stuff from two young filmmakers but, on this basis, that promise has yet to be realized.

Two decades later, Elle Woods’ simple, timeless message of always believing in yourself first above all continues to propel Legally Blonde to the forefront of feminist conversation.

This lurid biopic of iconoclastic director Rainer Werner Fassbinder too often feels like an R-rated “SNL” skit.

Puerile, hokey and needlessly violent – just what you’re after in a low-budget horror comedy. A strong debut feature from Karl Holt and a potential cult classic in the making.

Deceptively somber, Loznitsa’s found-footage account of Stalin’s death brims with wry commentary.

Morocco has been most famously portrayed on film in Casablanca and used as an exotic locale to serve epics such as Lawrence of Arabia, but El Maânouni gives us a glimpse of the country and its denizens in Trances.

An uneasy mixture of somber cautionary tale and feverish melodrama.