Though director Dawn Porter’s film flirts with hagiography, we do see a politician who remains determined to serve his people through clear-eyed legislation.

Compared to the rotting charm of Inferno or the neon-tinged hues of Suspiria, this just can’t compete.

Kore-eda’s films are often about the gentle yet inevitable confrontation of a family with its secrets, and the elegant, wistful tone of his work often obscures the tragedies and hurt that he approaches not with melodramatic ruptures but silent acceptance.

This exploration of an anti-religion religious movement presents a great concept, but its presentation is perhaps too al dente to be substantial.

This version of Hamilton comes thrillingly close to matching the joy of an in-person theatrical experience.

It isn’t exactly complex, but as a study of war waged with curt brutality, The Outpost resonates rather surprisingly.

Concentrates on the precarious, threatened lives of the survivors and the heroic acts of those working to save them. Welcome to Chechnya does this very well and should be considered a must-see film.

A horror film that doesn’t go nearly far enough.

The writer and co-director of The Blair Witch Project, has returned to the genre he helped popularize: the faux documentary created with supposed found footage.

Ski Bum is energetic, often funny and centered on the mountains and those who utilize their snow-draped shoulders for sporting pleasure.