Message in a Bottle almost exists in a different realm entirely—one on the precipice of a new millennium while still continually stuck in the age of ‘90s rom-coms.

The blend of Cormac McCarthy’s cowboy navel-gazing and Ridley Scott’s insistence to play things both perfectly straight and absolutely absurd makes it stand out from the filmmaker’s storied and wildly inconsistent filmography.

Some of the most delicate work Eastwood has ever done.

Maleficent is the quintessential strong female lead who doesn't need to adopt traditionally masculine qualities to defeat the men arrayed against her.

Remains the greatest entry in the strange milieu of Tarantino knock-off cinema, despite being all but written off at the time of its release.

Roberts’ layered, campy performance of the Evil Queen, as well as the reflection in her magic mirror, is in itself a work of art.

Deserves another look as a forgotten masterpiece of 2000s-era sex comedies.

Uptown Girls is not only supposed to be about learning to act your age but also of the dangers of growing up too soon.

Hopefully, by the time the film itself is “30, flirty, and thriving!” it will get the respect it deserves.

The Fate of the Furious challenges us to consider the tangibly individual scale next to the globally catastrophic.