Very little here makes sense and even less is interesting or entertaining.

It’s hard to make an original film set on campus and equally difficult to make one that stands out.

What we don’t get is any sort of challenge to the legacy of Creem in this documentary.

A glorious, if inharmonious, co-production between our greatest pop star and the Mouse House.

In which the iconoclastic director reveals the therapeutic nature of his psychedelic imagery.

An unrelenting film about the worst that colonialism has to offer.

Seimetz has, above all else, made a thrilling, pseudo-horror film about the inescapability of anxiety, finding within the unfortunate condition a kind of unsettling spectacle.

The Fight focuses on four landmark cases and the lawyers defending our established civil liberties.

The smart script and an astonishing performance provide sensitivity and depth to this riveting debut feature.

Interest in hockey or sports is not required when you’ve got strippers on ice, Disney and the Russian mafia.