The Next Day was clearing the table for Bowie, an album that got him working again after a decade away and one that tangled with his long legacy and his more traditional rock sound of recent years.

Given the hiatus that would follow this record – and, now, Bowie’s death – it’s hard not to look for portentous phrasings.

A classic artifact by an artist finding his purpose again in response to a national tragedy.

Perhaps it was inevitable that Bowie would finally turn pensive and reserved after his 50th birthday

Earthling remains one of his most energetic albums, a collection of straightforward, intense pop that proved he was still eager to create as he entered his fourth decade of recording.

The album’s sprawl gives it a certain mystique, a testament to how engaged and active Bowie was after a decade of stagnation.

While Black Tie White Noise had mixed critical reviews, the album was seen as a revival for Bowie fans.

It is here, and not on Black Tie White Noise, that the Bowie renaissance truly began.

It’s arguable whether the album has stood the test of time, but its unique place in Bowie’s catalog is impossible to argue with.

Never Let Me Down wasn’t all irredeemable, but even the better tunes were a mixed bag.