The neoclassical duo returns with their accompaniment for a dance company production of Italian postmodernist literature, presenting us with their most fresh and boundary-pushing work since Atomos.

Vol. 4 marked the moment that Black Sabbath started to search for something beyond the darkness of their first three albums; it also portended their descent into a different kind of darkness—one that the band would only barely come back from, and not in one piece.

Grunge survivors make right with the Big Man and produce another gem for the canon.

Blossoming her one-woman show into an overwhelming soundscape of loops and effects, Baker nonetheless remains one of the most lyrically direct and bracing acts in modern music.

An essential countercultural artifact; The Fall in their prime, working as a team in the face of indifference obliterates memories of bitter dictator Mark E. Smith sacking his band(s).

Electric guitarist’s inspired nylon-stringed travelogue.

The Melbourne-based songwriter uses threadbare solo piano compositions to unpack the myriad and brutal emotional

An exciting album of electronic sounds that ripple and eddy, driven by the artist’s gift for the catchy, arty hook.

When the Band recorded their third studio album, Stage Fright in the late spring of 1970, the rot was already starting to set in. Still an incredibly potent musical force, some of the bloom had come off the rose. The group intended to record the album live at the Woodstock Playhouse, yet after the fiasco at Yasgur’s farm, the city …

The debut album by the seven-piece band from London is the sound of Black Country, New Road working to navigate expectations and how to exist as an act built on references.