The Fate of the Furious challenges us to consider the tangibly individual scale next to the globally catastrophic.

This is a coward’s picture that is about to spend a few months getting patted on the back, as if anybody involved risked anything to bring it to life.

Perhaps Netflix and Amazon are producing content to match their algorithms and don’t have the time to filter out for quality.

Who knew George Miller had such a virtuosic ballet of blood and ultra-violence left in him?

[xrr rating=3.75/5] Jason Reitman’s most glaring flaw as a director is a tendency to glamorize the very protagonists simultaneously held up as objects of criticism or gentle satire. He gets away with this through strong performances from his lead actors, creating a sneaky ambivalence: even those who disliked Juno praised Ellen Page. Reitman likes to have it both ways by …