Amnesiac sits at the midpoint of an illustrious career, and the 20-year mark is as good a time as any for a PSA that will enrage Radiohead’s legions of superfans: it’s just a bunch of B-sides. And it’s all the better for it.

Kid A in 2000 was as cold and angular as its cover art. Kid A in 2020 is a far easier listen.

O'Brien puts his decades of experience in Radiohead to use in creating a diverse but not disconnected album.

Yorke seemed downright gleeful to be performing for us, smiling and dancing his way across the wide expanse of mainly empty stage.

“Karma Police” is great because it marks the beginning of something, not the end.

Even as a The King of Limbs defender, and one of the few people on the planet who prefers it to A Moon Shaped Pool, I know Radiohead’s 2011 electro-fest has its problems. At its most bewitching, KOL is an intriguing gaze into electronic and analog fusion, an exploration of the natural world through buzzing synths and loops. But at …

A diverse collection of twists and turns through rock balladry, synthesizer soundscapes and ghostly choral music.

"There will be a lot of goosebumps and a lot of adrenaline."

Five years is an eternity in the life of a record.

These are the 20 best albums of the year.