An underwhelming, melodramatic story that culminates in a shaky ending dooms Earthquake Bird.

The director's sex-forward past, however obscured, serves him well, and the result is is true to its period yet also completely of and necessary for our times.

[xrr rating=2.0/5]Made-for-TV biopics are full of hammy performances and caricatures of classic stars. Writer-directors Richard Glatzer and Wash Westmoreland’s The Last of Robin Hood, however, is not a TV biopic, and its failings are all the more glaring for that. The focus is on the last years of consummate swashbuckler Errol Flynn’s life and, in particular, his penchant for dating …